Decorative Solder Tutorial

by Gwen

Looking for decorative soldering tutorials? I found a website today that has just that: Glass Desires Decorative Soldering.

It is a very nicely designed website with the links for various areas cleverly represented as books.  The black slider bar (if you are using Internet Explorer) is a bit hard to use.  (If you are viewing with Firefox it shows up normally.)

The site also has tutorials on embossed brass, hammered brass, pearls (one form of decorative solder,) and foiling.
The artist, Candace Reimer. has some very nice pictures of her work, including some refreshingly different Pacific Northwest Indian art designs.

This may inspire me to create some Pacific Northwest patterns for my free pattern section.

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A 6,000 Sq. Ft. Stained Glass Ceiling?

by Gwen

Sunset Station Hotel & Casino’s Gaudi Bar Stained Glass Ceiling

While you are in Las Vegas for the 2007 Glass Craft & Bead Expo be sure to check out the Sunset Station Hotel & Casino’s Gaudi Bar. The Gaudi Bar has been called an homage to the eccentric vision of Barcelona architect Antonio Gaudí.

The main reason I plan to visit the Sunset Station Gaudi Bar is the 6,000 sq. ft. stained glass ceiling. Can you believe it?

Sunset_Station_Gaudi_Bar.JPG

 

 

 

The spotlight attraction of the Gaudi Bar is the 6,000 square foot stained glass ceiling that encompasses the 140-seat bar. The ceiling, which contains thousands of pieces of stained glass in a free-form mosaic and has absolutely no straight lines or right angles, is one of the largest stained glass ceilings in the U.S. Designed by Scott Avjian of Morris & Brown and Sue Grauten of Savoy Studios, the Gaudi Bar’s amoeba-shaped ceiling is the centerpiece attraction for the casino.

The abrasive waterjet-cutting machine used to cut all of those thousands of pieces of glass was manufactured by Flow International Corporation, Kent, Washington. To see the full text of this article describing the work involved along with more photos go to the Flow Corp website.

Could this be the future of glass cutting technology for the stained glass hobbyist?

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Glass Craft & Bead Expo 2007

by Gwen

Mark your calendars now for the 2007 Annual Glass Craft & Bead Expo. 

This event will be held March 28-April 1, 2007 at the new South Point Hotel & Casino in Las Vegas, NV.
Check the official Glass Craft & Bead Expo website for details. 

I had a blast when I went in 2005 and I learned so much from the great hands-on classes.  I was unable to attend in 2006 due to an impending 1,000 mile move, but I sure don’t want to miss it in 2007!

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Free Stained Glass Pattern of Golden Gate Bridge

by Gwen

ggbridgesunrise.jpgHere is a free stained glass pattern I made of the Golden Gate Bridge.

I used to see the bridge from my living room window.
This view is from the northern ocean side in Marin looking towards SF.

Use this link for the Golden Gate Bridge stained glass pattern in a black & white jpg and Glass Eye 2000 format.

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Cleaning Before Soldering - Two Opinions

by Gwen

This is an issue I have heard differing opinions about. Experts, whose opinions I value, disagree about the best way to clean before soldering. 

One opinion is that you should use 000 or 0000 steel wool to clean the surface of copper foil that has visible grime, dirt, residue, or oxidation.

 A second opinion is that you should use a Scotch Brite pad, instead of steel wool, because steel wool leaves steel dust that contaminates the solder, which can ruin your project.

An article I read recently concerned rust that resulted from using steel wool to scrub solder lines.

If you have experience with this issue, please leave a comment.

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Technique Tip - Foiling

by Gwen

Clean Glass
It is very important to clean your glass well before foiling. Glass dust from grinding, glue residue from pattern pieces, and oil from handling the glass pieces can all prevent the foil from sticking to the glass.
As an added precaution you can clean the glass one last time by wiping the edges with rubbing alcohol.
Trim Foil
For a more perfect solder line trim away overlapping edges and irregularities in the foil before soldering.

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Celtic Stained Glass Patterns

by Gwen
Stained Glass Patterns and Tips from GlassSorcery.com

I have noticed a resurgence of interest in Celtic heritage these days. Stained Glass enthusiasts have found inspiration and challenge in the beauty of celtic knotwork.

Rachel Cecere, author of two previous celtic design books, has just released a new book with 15 full-sized patterns, including a Claddagh suncatcher, Claddagh cross, Welsh Wedding Knot, and Shamrock suncatcher.

The book is titled Celtic Knotwork and Other Designs for Stained Glass and it is available now.

You may have noticed that I am also a fan of celtic design. Be sure to check out the free celtic patterns on this site.

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“Old Fashioned” Stained Glass Tools

by Gwen

I have spoken with people who refuse to use glass saws, perfering to do things the “old fashioned way.”
While I am not such a purist (I have my glass saws- two of them in fact,) I do find it interesting to try working the “old fashioned way.”
Have you ever wondered just how stained glass artists of the past got rid of the rough edges after cutting a piece of glass? (There was stained glass before electric tools - how did they do that?) 

They used stained glass hand tools, such as the abrasive stone. An abrasive stone is one of the tools I do have and do use, though certainly not exclusively. It looks like a huge, thick, metal emery board, and you use it in basically the same way, except on the edges of glass. It is made of aluminum oxide, and it is about 10″ long by 2″ wide, and 3/4″ thick. As advertized, it “safely removes sharp edges from glass.”

Abrasive_Stone.gif
 

There are some times when I simply do not want to fill my grinder with water and coolant for one little spot, or waste an expensive grinder bit on an excessively rough edge. (Of course, a good pair of grozing pliers will help you there, and I’ll have a suggestion about that soon.)
The abrasive stone is only $5.95, and I found one at Stained Glass Warehouse, Inc.

Give it a try. We can learn from past masters.

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Glass Eye 2000 Stained Glass Design Software

by Gwen

I have been intending to write a review of the Glass Eye 2000 stained glass design creation software for some time, so here it is.

I absolutely love this program! It makes pattern creation soooo easy. Take a look at this example of a finished design and the photo I started with. This afternoon I brought up the Glass Eye 2000 program and imported a photo of one of our pets, Lucky, a loveable stray dog we rescued a few years ago.

Lucky_Photo.JPGHere is the original photo of Lucky. (This is a big file so, if you click on the thumbnail to enlarge, give it time to load.)

In a short time, using the GlassEye 2000, I was able to create a stained glass design of Lucky. I was even able to select specific glass by major art glass manufacturers and view the pattern as it would appear with the glass that I selected.

Glass Eye 2000 allows you to import a .jpg (among other formats) and trace the image to form a pattern. You can also create designs from scratch. You will get faster and better at using the program with practice, but it really is fairly easy. The Dragonfly Software people include a tutorial with the software program that is easy to follow and will get you started. I will warn you - this can be addictive.

Lucky_Dog.jpg Here is a picture of my pattern as it will look when completed in glass. Click on the picture to enlarge it for the best view.

I love playing around with the glass choices. The GlassEye 2K has (last time I looked) over 2600 glass samples from nine of the largest glass companies that you can select from, and it allows you to change the selected glass with the click of a mouse. It is a simple matter to select a general color range and scroll through choices. You can also be specific about a type of glass, (baroque, for instance,) or texture (vecchio, seedy, reed, ripple) and see only that glass in all available colors, or limit glass choice by the manufacturer’s name.

You can export a picture of your finished pattern as a .jpg, such as the picture of Lucky dog, above, so that you can show your friends and family (or potential clients) how the finished piece will look with different colors and textures of glass and get their reaction or advice. My family is used to me saying “how does it look with the Armstrong granite or the Gecko gluechip? Are you sure it doesn’t look better with this Spectrum blue cathedral or the opal wispy?”

You can also see how your finished art work will look with different lead and solder line widths, lead or foil techniques, and different patinas.

You may have noticed that I can label my patterns and the exported pictures with my copyright or other information. You can add text for directions or title right on the pattern. You can also label your pattern pieces with numbers, or color codes that you select.

You can use the ruler to control the size of your pattern and you can resize it, if necessary, with remarkable accuracy. There is even an option to maintain proportions when you resize. There is also grid you can bring up on the screen and remove with a mouse click that helps keep things square.

There are so many great features to this software that I could go on and on, but the best thing you could do would be to check it out yourself. Click here to visit the good folks at Dragonfly software. They have a FREE 30-day trial that will give you a better idea than I can of how great this program is.

Have fun!

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Anyone for a nice game of chess? Free stained glass pattern

by Gwen

chesspieceseasy.jpgHere are four of the most important pieces in the game of chess rendered in stained glass: King, Queen, bishop, and knight.

This pattern has been revised to make it easier to cut.

I suggest that you select stone-like glass in contrasting gray, black, and ivory, or white colors, but feel free to select whatever colors you want. Go wild and try amazon green and cobalt blue!

Displayed here-
Background colors: Spectrum 3872S Gray/White, Translucent Opalescent, and
Armstrong 105S Opal/Gray/Black/Streaky

King & Bishop: Armstrong 145S Opal/Cobalt Blue/Red/Streaky

Queen & Knight: Spectrum 307S Clear/White, Translucent Opalescent

I also like Kokomo 920SPL Light Bronze, Opal (a nice ivory opal color) for the Queen & Knight.
Use this link for the Chess Pieces stained glass pattern in black and white jpg and in Glass Eye 2000 format.

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